Random neatness found by Eduardo Morais, a young portuguese filmmaker. You can also visit my blog and my fotologue, among other places. You may also check out the archives.
For a couple of months now I’ve been reading Thomas Pynchon’s Gravity’s Rainbow. It’s a big book, and a tough one to read. Like the work of José Saramago, the style of Pynchon’s writing turns…
‘Brutalist’ architecture seems to be an unwritten law of sci-fi location scouting. I automatically remembered the odd portuguese sci-fi movie, Solveig Nordlund’s Low Flying Aircraft, which was set mostly in the Torralta Towers, since then demolished (notice the Wile E. Coyote eye on our Prime Minister 2 minutes into the video). That movie has another scene - the ‘futuristic stormtroopers creating havoc’ scene present in 85% of sci-fi - set in the CGD headquarters in Lisbon, which is absent but I think should top the list for architectural Orwellian creepiness (in a tacky, early 90s kind of way).
Trailer (also in HD) for The Fall, directed by Tarsem Singh and produced by David Fincher and Spike Jonze (whaa?). The cinematography alone seems to be three movie tickets’ worth, even if the rest sucks - which I don’t believe it will.
‘True Spirit’ by Guillaume Paris, 1992. Each word in the sentence is the brand name of the product displayed under it - left to right: cigarette, soap, margarine, cleaning pad, dog food. (at VVORK)
Justice - ‘Stress’. It challenges the definition of ‘music video’, as this short film is a brutal synthesis of Clockwork Orange-like nihilistic violence (perhaps even more brutal: no chance for a “it’s set in the future” sigh of relief). This video was directed by Romain Gavras, apparently the son of director Costa-Gavras, known for his overtly political films. Good to see his offspring leaves no medium (the music video) as ‘safe’.