In the works of Tarantino, a predominant concept is the concept of capitalist sexuality. Sontag uses the term ’subtextual rationalism’ to denote not, in fact, theory, but neotheory. If one examines textual nihilism, one is faced with a choice: either accept neoconceptualist discourse or conclude that government is capable of deconstruction, but only if Marxism is invalid; otherwise, Debord’s model of textual nihilism is one of “the cultural paradigm of reality”, and thus part of the economy of truth. But Lyotard promotes the use of Derridaist reading to read and modify class. In Pulp Fiction, Tarantino examines textual nihilism; in Four Rooms, although, he analyses Marxism.
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Catherine Sargeant - ‘Textual Nihilism in the Works of Tarantino’.
What the…?! Gotcha! An oldie but goodie: The above text is a hoax courtesy of The Postmodernism Generator. I actually respect the philosophy of postmodernism, so I’ll call it The Meaningless But Serious-Looking Drivel Generator. Anyway, it seems some of these random meaningless text sometimes really get published in Dead Serious Publications. Can I get a generator to do my blogging?